By Alex Zondervan
Winter 2021 Issue
Collage
I cut up the White House today,
pasting bits of the ceiling there
besides the folds and other
advertisements. And though
I did not read the pamphlet
yet, traveling across state lines,
with a card in quadrants littered
by vacancies and absence,
this making of space bought
back a tactile chance in joy now
& again. When last in the house,
below the corner opening, I
would sign in creases sent
into the air towards anyone—
Correlations
The numbers of a body
politic increase as
non-language of any
statistics speak any
correlation between 5G &
COVID or Cage films & sharks.
I’ve read your constellation
of major league base-bubbles
& the affect in my power
grid, I lost my words
in a paper bag with one cat
& nine-symmetrical lies
at the top of the twisted stair
case. Capital hill begins with S
for surveyed land. That these
complicate geographies enumerate
government property
floating through servers in
Canada leaves a residue
not unlike the taste of our own
semi-baked conspiracy.

Afterhours
The leaves already cast
their outlines in arms above
the house—bony bogus,
you might say, these spooky
figures vanished in the cul-de-sac
when I rolled my stomach against
itself, wondering how something
intimate could become inanimate.
Circling back, that old suit you called
cats and often landed mistakenly
named crept through the hallway,
a stalking viewpoint from behind full
circles. Skeletal impressions in blue
and the scariest thing under the bed
tucked in the underbelly of drawn maps
and day jobs no less important than
a map makers’ strategy (hollow
in the dark night, painted tigers
beneath the mirrored trees.

Alex Zondervan currently lives with his Riso in Connecticut where he writes poetry sometimes.